Kenneth and Steffi Grant met Spare in the late 1940s, and they remained supportive friends and assistants until his death in 1956, becoming exponents and promoters of his work thereafter. Discuss here the influence of Spare on Grant's work, as well as the relationship more generally between Spare and the Grants.

Grant described Eastern Mysticism as his first love, and he immersed himself in Advaita in the early 1950s, devoted to such sages as Ramana Maharshi, Thakur Haranath and Anandamayi Ma amongst others, writing articles for Asian journals throughout the 1950s and 1960s, many of which were subsequently published in At the Feet of the Guru. Discuss here any aspects and developments of eastern mysticism, advaita and related subjects.

In November 1950, Grant made typed copies for Gerald Yorke of much of the correspondence between Yorke and Achad in 1948/49. As the series of the Typhonian Trilogies progressed, Grant re-evaluated Achad's work, becoming increasingly interested in the Incoming of the Aeon of Maat on 2nd April 1948. This board is for discussion of the influence of Achad on Grant's work.

Grant began experimenting with group or lodge work from the late 1940s, gathering experience which finally flowered as New Isis Lodge in the mid 1950s. Some of his experiences in the Lodge were set out in 'Hecate’s Fountain' in 1992. This is the forum to discuss all aspects of the work of the Lodge, and how it influenced his subsequent work.

Together with John Symonds, Grant edited and published several major works by Crowley, amongst them 'The Confessions of Aleister Crowley' in 1969, 'The Magical Record of the Beast 666' in 1972, and 'Magical and Philosophical Commentaries on The Book of the Law' in 1974. Discuss here anything relating to their collaboration or to the works they produced.

Grant developed the Typhonian Tradition initially from the works of Gerald Massey, enriching it with his knowledge and experience over many years, and elaborating it in his monumental Typhonian Trilogies. This is the forum in which to discuss the Typhonian Tradition itself; discussion of the books should be in the section below for the Published Works. What do you understand by the Typhonian Tradition? How do you think it developed?

There were many sources and influences which colour Grant’s work, for example Crowley, Massey, Spare, Blavatsky, Lovecraft, Bertiaux and many more. Discuss here any influences which you perceive.

These nine volumes were published across 30 years, from The Magical Revival in 1972 to The Ninth Arch in 2002. Discuss here the contents of any of these volumes, or the development of the series as a whole.

Sub-boards: Trilogies General, The Magical Revival, Aleister Crowley and the Hidden God, Cults of the Shadow, Nightside of Eden, Outside the Circles of Time, Hecate's Fountain, Outer Gateways, Beyond the Mauve Zone, The Ninth Arch

Grant started writing short stories and plays from an early age, but in essence most of his novels date from the late 1940s to the late1960s. Discuss here any of his novels, or any aspect of the series which particularly interests you.

Again, Grant was writing poetry from an early age, culminating in his three published collections Black to Black, The Gull’s Beak, and Convolvulus: Poems of Love and the Other Darkness. Discuss Grant’s poetry here.

Grant wrote these throughout his career, ranging from a Forward to the attempted publication in 1948 of Crowley’s Liber Aleph, through to the articles on Indian Mysticism published in Asian Jornals from the early 1950s onwards, articles for the International Times in the late 1960s, and essays and shorter pieces for Man, Myth and Magic in the 1970s. Discuss here any aspects of these articles.

Crowley regarded The Book of the Law as the bedrock of Thelema. This is the board for discussion about all aspects of The Book of the Law.

The A∴ A∴ was establiished by Crowley on the basis of his experiences with the Golden Dawn. This board is for discussion of all aspects of the Order, and its continuation after Crowley's death.

This is the board for discussing all matters about the O.T.O. in Crowley's lifetime, and its development after his death.

Crowley's literary output was diverse – poetry, plays, novels, short stories, and books & essays about aspects of Magick and Mysticism. This is the board for discussing any aspect of his literary works.

This board is for discussing the development of Spare's art over the decades, or for discussing any individual types of art, or indeed any particular picture.

This is the board for discussing any aspect of Spare's life.